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57 posts tagged I LOVE THIS

pokemonheritageposts:

smatter:

prof-peach:

baskingsunflower:

dubustuff:

rakatakat:

really love imagining a bunch a kids and teens on their pokemon journeys staying the night on the couches and floors in the lobbies of pokemon centers, having long talks about their experiences and feelings sharing funny and scary stories and myths about legendaries and trading items and sharing TMs along with sugary snacks and pokedex chargers all while their pokemon are out of their pokeballs and all bundled up in blankets sleeping soundly next to their trainers while they stare up at the stars shining through the glass ceiling over their heads

#this is what pokemon’s all about

#this is…so nice

image

I just…really like this idea man. So I drew a thing.

A single tear

Pokemon Heritage Post

nitewrighter:

“The prince just fell in love with Cinderella because of her looks!”

Wrong. Okay, picture this–

So there’s the prince, okay? He’s like, smack dab in the center of the ballroom, and he is like, horrifically aware that this whole ball thing is a result of his dad falling into a panic about the royal lineage or whatever and he’s stuck listening to highborn girl after highborn girl, all lined up, introducing themselves like, “Oh yeah my family’s been a longtime supporter of the crown, and I think you’re cute, *cough* I’ve been told I have child-bearing hips *cough* Who said that? Anyway–” and Princey boy is just smiling through it, he has been the center of attention for entirely too long, he misses his emotional support horse, and is just internally like “Someone please kill me now.” And then… he sees her–This isn’t a love at first sight thing, this is a ‘what the hell is going on over there’ thing, because this girl has not gotten into the Debutante line for a solid 45 minutes. 

She’s just at the hors d’oeuvres table going HAM on the prosciutto-wrapped asparagus, and like, she’s polite about it, she’s happy to move aside for other people grabbing punch and canapes (and she’s really so sweet with the wait staff, it’s kind of cute because they’re like… definitely not used to being acknowledged) but it’s like, “Damn girl, did you not eat today?” and then the prince is kind of stuck with the uncomfortable thought of ‘how many girls starved themselves to fit into a corset for this.’ And then the Prince realizes he’s missed the past 4 Debutante introductions because he’s watching Mystery girl hork down crab rangoons. So he’s like, “Excuse me” and manages to break free from the never-ending parade of girls who will hop on his dick for status.

 And as he’s approaching Mystery Girl, it’s kind of hitting him that something’s not quite natural about her. Not fake, but not quite real. But at the same time this whole evening’s been just a whole circus of people acting fake as hell, so like, someone seeming a little off doesn’t seem bad, necessarily. And he sidles up to her like, “Hi,” and she’s like, “Oh–hey, have you tried the tapenade?” and she points to one of the plates, and at this point, he could hit her with the “You don’t know who I am, do you?” deal or the “Very funny, I see your play” deal, but at this point it occurs to him that, no, he hasn’t had anything to eat throughout this whole damn ball, partially because of being stuck in the debutante parade, partially because of nerves, and there’s something so disarming about the question that he grabs a crostini and she still seems so food-focused that it doesn’t seem possible that this is a play. So they both grab little plates and ditch the party.

She pretty much clears her plate in under two minutes and then has half of his plate, he’s cool with it, mostly he’s just absolutely fascinated listening to her.

See here’s the thing about Cinderella:

1. She doesn’t know he’s the prince. Like yeah, he’s been at the center of the room, but she’s kind of spent half the party eagerly looking around everywhere she’s allowed to go (”Have you seen rose garden? Have you seen the solarium??” further confirmation that she doesn’t know who she’s talking to) and the other half stuffing her face with food. 

2. She assumes she’s never going to see anyone here tonight again, and no one recognizes her, so she has no filter.

So she’s just talking about whatever with this guy. He seems cool. She talks about her friends, who are rats. She makes little outfits for them. Sometimes they bring her little gifts. She is already the coolest person the prince has ever met because of this. She pretty much offhandedly talks about whatever is fucked up about the kingdom that would take his advisors two hours of hemming and hawing and watering down to address. She just says it like it’s nothing, just funky little things she’s observed, and again, she’s not aware that he’s the prince, but it’s still pretty damn bold to bring up at a literal royal ball.

She… seems to have the majority of graces that lots of girls from Respectable Families™ have, but there’s something strange about it, something simultaneously broken and hardened, like the way you can see where ice has thawed and re-frozen. Also the way she talks about her family, and the way she avoids talking about her family– is raising several red flags, not in the “Oh this is another person trying to take advantage of me” sense, but in the “Oh fuck, something’s gone really wrong and you need help” sense and also lowkey a ‘damn is she even getting fed?’ sense. But he can’t say, ‘Hey, that’s not fucking normal for people to say that to you or treat you that way. We need to get you out of there,’ without sounding crazy himself, so for now, he’s just going to chill, make sure she’s comfortable, and keep enjoying the evening. She’s somehow befriended like 4 of the waitstaff so they’re willing to cover for them while they disappear for a little bit, and they get plenty of time to talk, but eventually it hits her that she hasn’t danced yet and she’s like “Come on! I bet we can make the prince jealous!” and he just bursts out laughing at that like “hell yeah, let’s make the prince jealous. He’s a real asshole.” Like clearly she’s having a good time, so who is he to make it weird? So they head back to the ballroom and they dance. And our girl, Mystery Girl, Cinderella, while they’re dancing, becomes acutely aware that everyone is staring. That doesn’t seem quite right. Like, yeah she’s hot, she knows she’s hot, but at least a good third of the party should still be focused on the prince, right? Where is that guy, anyway?

Oh.

Oh wait.

Oh shit.

And Princey Boy actually picks up on her realization and they whisper argue for like 3 minutes. “Why didn’t you tell me?! Now I feel like a goddamn idiot!” “I dunno it was nice being treated like a normal person” “Well me treating you like a normal person makes me a goddamn felon or something did you consider that?!” “Hey–Hey–it’s cool–you’re cool–I think you’re amazing, and if anyone says shit about you, I can shut it down.” “Well I don’t like that! That’s fucked up!” “I agree. It is fucked up, but I believe in you, and I think you should have a chance, and I’m here to back you up. I know power is fucked up right now. I know. But are you cool with working with me to change that?” And our girl Cindy pauses on that for a couple seconds, because.. she’s just spent hours with this guy and like.. she knows he’s a good guy, she knows he means well, so she’s like, “I don’t know how long I can actually work with you.” and the prince is like “Look, I know your home situation is complicated right now, but I really think we can–”

And then the bell starts ringing.

It’s midnight.

And then she takes off in a panic, and our prince just met the coolest person ever, and like, he’s pretty sure whatever situation they’re headed back to is fucked up, and all he’s got going to find her is a shoe. A shoe

miss-kitty-fantastico:

nail-bat-lesbian:

mycatshuman:

writing-prompt-s:

threefeline:

corancoranthemagicalman:

stu-pot:

ciiriianan:

sadoeuphemist:

writing-prompt-s:

Temples are built for gods. Knowing this a farmer builds a small temple to see what kind of god turns up.

Arepo built a temple in his field, a humble thing, some stones stacked up to make a cairn, and two days later a god moved in.

“Hope you’re a harvest god,” Arepo said, and set up an altar and burnt two stalks of wheat. “It’d be nice, you know.” He looked down at the ash smeared on the stone, the rocks all laid askew, and coughed and scratched his head. “I know it’s not much,” he said, his straw hat in his hands. “But - I’ll do what I can. It’d be nice to think there’s a god looking after me.”

The next day he left a pair of figs, the day after that he spent ten minutes of his morning seated by the temple in prayer. On the third day, the god spoke up.

“You should go to a temple in the city,” the god said. Its voice was like the rustling of the wheat, like the squeaks of fieldmice running through the grass. “A real temple. A good one. Get some real gods to bless you. I’m no one much myself, but I might be able to put in a good word?” It plucked a leaf from a tree and sighed. “I mean, not to be rude. I like this temple. It’s cozy enough. The worship’s been nice. But you can’t honestly believe that any of this is going to bring you anything.”

“This is more than I was expecting when I built it,” Arepo said, laying down his scythe and lowering himself to the ground. “Tell me, what sort of god are you anyway?”

“I’m of the fallen leaves,” it said. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth. I’m a god of a dozen different nothings, scraps that lead to rot, momentary glimpses. A change in the air, and then it’s gone.”

The god heaved another sigh. “There’s no point in worship in that, not like War, or the Harvest, or the Storm. Save your prayers for the things beyond your control, good farmer. You’re so tiny in the world. So vulnerable. Best to pray to a greater thing than me.”

Arepo plucked a stalk of wheat and flattened it between his teeth. “I like this sort of worship fine,” he said. “So if you don’t mind, I think I’ll continue.”

“Do what you will,” said the god, and withdrew deeper into the stones. “But don’t say I never warned you otherwise.”

Arepo would say a prayer before the morning’s work, and he and the god contemplated the trees in silence. Days passed like that, and weeks, and then the Storm rolled in, black and bold and blustering. It flooded Arepo’s fields, shook the tiles from his roof, smote his olive tree and set it to cinder. The next day, Arepo and his sons walked among the wheat, salvaging what they could. The little temple had been strewn across the field, and so when the work was done for the day, Arepo gathered the stones and pieced them back together.

“Useless work,” the god whispered, but came creeping back inside the temple regardless. “There wasn’t a thing I could do to spare you this.”

“We’ll be fine,” Arepo said. “The storm’s blown over. We’ll rebuild. Don’t have much of an offering for today,” he said, and laid down some ruined wheat, “but I think I’ll shore up this thing’s foundations tomorrow, how about that?” 

The god rattled around in the temple and sighed.

A year passed, and then another. The temple had layered walls of stones, a roof of woven twigs. Arepo’s neighbors chuckled as they passed it. Some of their children left fruit and flowers. And then the Harvest failed, the gods withdrew their bounty. In Arepo’s field the wheat sprouted thin and brittle. People wailed and tore their robes, slaughtered lambs and spilled their blood, looked upon the ground with haunted eyes and went to bed hungry. Arepo came and sat by the temple, the flowers wilted now, the fruit shriveled nubs, Arepo’s ribs showing through his chest, his hands still shaking, and murmured out a prayer. 

“There is nothing here for you,” said the god, hudding in the dark. “There is nothing I can do. There is nothing to be done.” It shivered, and spat out its words. “What is this temple but another burden to you?”

“We -” Arepo said, and his voice wavered. “So it’s a lean year,” he said. “We’ve gone through this before, we’ll get through this again. So we’re hungry,” he said. “We’ve still got each other, don’t we? And a lot of people prayed to other gods, but it didn’t protect them from this. No,” he said, and shook his head, and laid down some shriveled weeds on the altar. “No, I think I like our arrangement fine.”

“There will come worse,” said the god, from the hollows of the stone. “And there will be nothing I can do to save you.”

The years passed. Arepo rested a wrinkled hand upon the temple of stone and some days spent an hour there, lost in contemplation with the god.

And one fateful day, from across the wine-dark seas, came War.

Arepo came stumbling to his temple now, his hand pressed against his gut, anointing the holy site with his blood. Behind him, his wheat fields burned, and the bones burned black in them. He came crawling on his knees to a temple of hewed stone, and the god rushed out to meet him.

“I could not save them,” said the god, its voice a low wail. “I am sorry. I am sorry. I am so so sorry.” The leaves fell burning from the trees, a soft slow rain of ash. “I have done nothing! All these years, and I have done nothing for you!”

“Shush,” Arepo said, tasting his own blood, his vision blurring. He propped himself up against the temple, forehead pressed against the stone in prayer. “Tell me,” he mumbled. “Tell me again. What sort of god are you?”

“I -” said the god, and reached out, cradling Arepo’s head, and closed its eyes and spoke.

“I’m of the fallen leaves,” it said, and conjured up the image of them. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth.” Arepo’s lips parted in a smile.

“I am the god of a dozen different nothings,” it said. “The petals in bloom that lead to rot, the momentary glimpses. A change in the air -” Its voice broke, and it wept. “Before it’s gone.”

“Beautiful,” Arepo said, his blood staining the stones, seeping into the earth. “All of them. They were all so beautiful.”

And as the fields burned and the smoke blotted out the sun, as men were trodden in the press and bloody War raged on, as the heavens let loose their wrath upon the earth, Arepo the sower lay down in his humble temple, his head sheltered by the stones, and returned home to his god.

Sora found the temple with the bones within it, the roof falling in upon them.

“Oh, poor god,” she said, “With no-one to bury your last priest.” Then she paused, because she was from far away. “Or is this how the dead are honored here?” The god roused from its contemplation.

“His name was Arepo,” it said, “He was a sower.”

Sora startled, a little, because she had never before heard the voice of a god. “How can I honor him?” She asked.

“Bury him,” the god said, “Beneath my altar.”

“All right,” Sora said, and went to fetch her shovel.

“Wait,” the god said when she got back and began collecting the bones from among the broken twigs and fallen leaves. She laid them out on a roll of undyed wool, the only cloth she had. “Wait,” the god said, “I cannot do anything for you. I am not a god of anything useful.”

Sora sat back on her heels and looked at the altar to listen to the god.

“When the Storm came and destroyed his wheat, I could not save it,” the god said, “When the Harvest failed and he was hungry, I could not feed him. When War came,” the god’s voice faltered. “When War came, I could not protect him. He came bleeding from the battle to die in my arms.” Sora looked down again at the bones.

“I think you are the god of something very useful,” she said.

“What?” the god asked.

Sora carefully lifted the skull onto the cloth. “You are the god of Arepo.”

Generations passed. The village recovered from its tragedies—homes rebuilt, gardens re-planted, wounds healed. The old man who once lived on the hill and spoke to stone and rubble had long since been forgotten, but the temple stood in his name. Most believed it to empty, as the god who resided there long ago had fallen silent. Yet, any who passed the decaying shrine felt an ache in their hearts, as though mourning for a lost friend. The cold that seeped from the temple entrance laid their spirits low, and warded off any potential visitors, save for the rare and especially oblivious children who would leave tiny clusters of pink and white flowers that they picked from the surrounding meadow.

The god sat in his peaceful home, staring out at the distant road, to pedestrians, workhorses, and carriages, raining leaves that swirled around bustling feet. How long had it been? The world had progressed without him, for he knew there was no help to be given. The world must be a cruel place, that even the useful gods have abandoned, if farms can flood, harvests can run barren, and homes can burn, he thought.

He had come to understand that humans are senseless creatures, who would pray to a god that cannot grant wishes or bless upon them good fortune. Who would maintain a temple and bring offerings with nothing in return. Who would share their company and meditate with such a fruitless deity. Who would bury a stranger without the hope for profit. What bizarre, futile kindness they had wasted on him. What wonderful, foolish, virtuous, hopeless creatures, humans were.

So he painted the sunset with yellow leaves, enticed the worms to dance in their soil, flourished the boundary between forest and field with blossoms and berries, christened the air with a biting cold before winter came, ripened the apples with crisp, red freckles to break under sinking teeth, and a dozen other nothings, in memory of the man who once praised the god’s work on his dying breath.

“Hello, God of Every Humble Beauty in the World,” called a familiar voice.

The squinting corners of the god’s eyes wept down onto curled lips. “Arepo,” he whispered, for his voice was hoarse from its hundred-year mutism.

“I am the god of devotion, of small kindnesses, of unbreakable bonds. I am the god of selfless, unconditional love, of everlasting friendships, and trust,” Arepo avowed, soothing the other with every word.

“That’s wonderful, Arepo,” he responded between tears, “I’m so happy for you—such a powerful figure will certainly need a grand temple. Will you leave to the city to gather more worshippers? You’ll be adored by all.”

“No,” Arepo smiled.

“Farther than that, to the capitol, then? Thank you for visiting here before your departure.”

“No, I will not go there, either,” Arepo shook his head and chuckled.

“Farther still? What ambitious goals, you must have. There is no doubt in my mind that you will succeed, though,” the elder god continued.

“Actually,” interrupted Arepo, “I’d like to stay here, if you’ll have me.”

The other god was struck speechless. “…. Why would you want to live here?”

“I am the god of unbreakable bonds and everlasting friendships. And you are the god of Arepo.”

I reblogged this once with the first story. Now the story has grown and I’m crying. This is gorgeous, guys. This is what dreams are made of.

image

This is amazing!

Beautiful

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The last bit is new, and is beautiful!!!

heroofthreefaces:

aromanticgoldfish-deactivated202:

anastasia1marie:

aromanticgoldfish-deactivated202:

aromanticgoldfish-deactivated202:

Instead of a stoic hero and a chatty villain or a chatty hero and a stoic villian imagine if they’re both chatty. Just, the villian trying their best to kill the hero while the two of them have a in-depth discussion about their opinion of pumpkin spice

Villian: *shoots laser* No but seriously orange is a really fun color

Hero, dodging: but your entire room? I’m not painting my entire room orange

Villain: *stabs at the hero and misses* well then why did you ask my opinion on paint colors if you’re not going to listen

The Princess Bride

Holy shit

image

On Garak sewing for Julian

captain-athos:

From the perspective of someone who does sew things for people they love (my husband has so many ridiculous shirts), Garak doing the same for Julian is one of my absolute favourite things in fanfic. Before you make a garment for someone, you have to design it, and design it for them. You have to know the person, what style suits them, what colours suit them, plus what they like in the first place. It’s like a wearable portrait.

If I were a fic writer I’d write a whole piece from Garak’s perspective about designing a gift for Julian. I’d have him sneakily arrange some samples on the cutting table for him to fiddle with, surreptitiously gauging his reaction, figuring out which ones he reaches for, which ones he recoils from, which ones he unconsciously holds up to his cheek. 

I’d write about the hours spent poring over the cut of the garment, how much of his Cardassian aesthetic he puts into it, how much of Earth, how much of everything else. Garak would do his research - he’d look into Earth symbolism, to try and tell a story in his embroidery. He’d laugh himself into a coughing fit when he figured out that Earth people had at some point chosen the wrong mythological staff to represent the medical profession, and then decided to just run with it. He’d sew in a branching, tree-like pattern that ascended up each sleeve, repeating seven times, and push down a flutter of nervousness about whether Julian would get the reference.

I’d write about reconciling the Julian he knew with the measurements he’d - not stolen, if such information was so easily found. Tailoring the fit of the garment to him would feel oddly daring, a feeling he’d never encountered when the numbers were just numbers, and the bodies were just bodies. His eyes would follow the tapered lines from the shoulders to the waist and find a strange kind of intimacy in those clean, pressed seams.

When it came time to give him the gift, he’d wait. He’d wait for an opportune moment, when Julian was out wearing some poorly-tailored asymmetrical monstrosity, something that didn’t lie flat along the shoulders, machine embroidered, with a neckline that sat far too high. He’d tell Julian about all of these shortcomings in detail, remarking widely on his awful taste in clothing and his clear inability to dress himself. Then, and only then, he’d tell him to come by the shop later. Don’t leave me waiting for you, Doctor.

ya-boi-hawkeye:

there’s something that i’ve been thinking about, that i’m sure someone somewhere else has already vocalized better but…

let’s talk about how much of a hero zevran is, and how much he doesn’t realize it.

in dialogue with him, he mentions that the crows bought him as a child to start training him. and later, if you take him into the fade his dream is of him being tortured as a part of his training. now, while zevran processes his own trauma by being very blunt and blase about it, there’s no reason to believe that this wasn’t the status quo for most of the crows. 

in fact i imagine they have a habit of recruiting elven children in particular, because elves are so often looked down on and ignored in most cities. makes it a lot easier to hear things they’re not supposed to, and get close to people. 

but zevran is also the first member of the antivan crows (that i know about at least) to actively abandon them. now, arguably, at first he does it because he fails his mission to kill the warden. he can’t go back to them in disgrace, or they’ll kill him outright. but then you get to denerim, where taleisan (sp?) offers zev the chance to kill the warden then and there, and come back.

and what does he do? regardless of whether you romanced him, if you and zev were friends he refuses. and it’s not a practical decision, but purely emotional; the warden is his friend, is someone he cares greatly about, who he’s witnessed doing great and amazing and wonderful things even in the midst of the blight. zev realized that there was more to life than just killing people for money, that the crows didn’t need to control him, and he can make his own choices.

and instead of just cutting all ties with the crows, when it would be easier to avoid them, he turns and takes the fight back to them. sends a message point blank that they can no longer control them, he won’t allow it. 

now, imagine how that must seem to the other crows, to the other kids that were taken from similar or worse situations, the ones that had to be broken and reshaped into a new tool designed to serve whatever purpose the crows set for them. some of the crows thrive, and become quite well renown and wealthy, but not all of them viewed it as a smart career move.

but they learn about what zevran has done, and it gives them the courage to leave the crows as well. it shows them that they can have choices too, they’re real, and alive, and their existence has an intrinsic value. 

like, yes zev is a hero because he was there to stop the blight. but to those few ex-crows, he’s so much more. he’s a hero because he was one of them, and he had the courage to break away, to take his life into his own hands.

so just imagine one day zevran meets another of those ex-crows, and they’re in awe of him, so grateful, and just “you’re my hero”

Invested in the Kira & Garak friendship post-show as a microcosm of the wider healing process after the Dominion Occupation

a-stitch-in-time-and-space:

1. The two working together in integral positions with the rebuilding of both societies and wanting their friendship to form a template for a new relationship between Bajor and Cardassia moving forward

2. Having memories of being forced into violence from childhood and dealing now with being civilians for the first time in their lives

3. A shorthand between them for understanding the pain of watching your people and culture being destroyed now translated to a shorthand applied to healing yourself and the people/culture

4. Coming up against painful memories of the Cardassian Occupation of Bajor and finding ways to accept that together in whatever way Kira needs to.

5. Coming up against painful memories of Ziyal and grieving together.

6. There were many more Bajoran-Cardassian kids born from the conflict and most are abandoned. Kira spearheads efforts to have them be accepted in Bajoran society and asks for Garak’s help to do the same with Cardassia.

7. Garak, to whatever extent it is possible after sifting through the ruins, running efforts to return Bajoran cultural items.

8. Kira feels strange how easy it is to be friends with him after so much of her identity was tied into hating Cardassians on principle. Finding enjoyment in Cardassian culture on her own terms and sharing Bajoran culture with Garak helps her deal with the trauma of Gul Dukat’s fetishistic interest in her and Bajoran culture

9. Garak feels strange that after a lifetime of not being allowed friends/to trust people at all he feels so comfortable around Kira. Sometimes he has panic attacks about what Tain would think about this. Finding moments of joy when he allows himself to be honest with Kira about little, immaterial things after he’d been trained never to be honest about anything

10. Kira can see where Garak is trying to deal with the immediate aftermath of the war, because she’s been there, but also she needs more help than she would admit and he sees this in turn

11. friends reminding each other to take a break from work and eat sometimes

(12. friends engaging in friendly games - Garak keeps bringing people for Kira to meet and it takes her ages to find out he’s trying to set her up. Kira invites Bashir to Cardassia in revenge. Garak tricks Kira to take a trip to earth to see Keiko again. Kira traps Bashir and Garak in an elevator (do they even have elevators on Cardassia Prime?) Garak manipulating a situation in which Kira somehow ends up in an elaborate multi-species polycule. Kira takes charge of planning their bachelor night. It starts to feel a lot like life back on DS9)

random-fandom-ramble:

beautifulterriblequeen:

random-fandom-ramble:

swampxwitchxhattie:

couldbeglorious:

roseverdict:

enquires-state-building:

not-to-be-a-tea-but-brit:

ace-nyctophyle:

ailithnight:

mysterytinyfox:

yupokaysuremhm:

ace-nyctophyle:

yupokaysuremhm:

ace-nyctophyle:

any noun can become a verb if you don’t care enough

This point is invalid unless you use an example in your sentence

I CAN SENTENCE HOW I WANT THANK

BEAUTIFUL

you see thats why i love english

I like to velociraptor around my house at 2 in the morning.

GOOD

My headache makes me want to clothesline into a wall

why do these make some semblance of sense 😨

Because brains don’t brain logically

Brains do brain logically! But when english doesn’t logic englishly, brain brains by itself to logic that english !

I hate that this makes sense

@beautifulterriblequeen can your brain brain this out logically?

Yes! My brain can brain this. When English logics a sentence, it blueprints for parts of speech in familiar patterns. We’re just brainchilding different parts of speech into those logic spots.

Dang, that was actually rather educational. At least more educational than my last substitute teacher.

emilysidhe:

emilysidhe:

yawnjockey:

If you need me

I’ll be locked in my room reading Letterboxd reviews of the Netflix original movie “The Knight Before Christmas”.

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I mean… these are literally just the ones that show up at the top

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They’re all like this

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It’s just one giant roast

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And endless shit posting

False! Oranges are an old world fruit that used to be imported from Italy. He would know exactly what an orange is but think it’s an expensive luxury good that indicates high social status.

Actually, that’s the kind of side-plot I want in a time-travel romance movie:  the modern woman angsting about trying to help get him back to his own time and whether she should pursue this knowing he may soon be gone for good, while meanwhile the man from the past decided he was interested 10 minutes into the movie and has been conducting his own private investigation into what her social status so he can understand if/how he’s allowed to enter a relationship with her.

On mystical facetime to friend in his own time period via magic mirror:

him, standing in her closet while she’s out:  Her clothing … the fabric is of the poorest quality, yet the color and the patterns speak of dyework fine, and she hath more individual pieces than the Queen in all her riches!

friend:  Perplexing.

him:  She hath no servant-

friend:  What, none? None at all!

him:  Not one.

friend:  Then, surely she must be of the lowest peasant class

him:  So I did assume.  And yet, not two days hence, I did espy her eat an orange, placidly as if this were no special treat.

friend:  Still, no servants at all …

him, brandishing the mirror:  And yet behold!

friend:  *gasp of disbelief and wonder*

him:  Her store of spices.  And all for her own private use, for as I’ve said, she keeps no household!

friend: … this mystery is beyond my ken.

him:  *wordless cry of frustration*

brimk-personal:

songwithnosoul:

silver-sphere:

wetwareproblem:

dysperdis:

wetwareproblem:

wetwareproblem:

wetwareproblem:

professorsparklepants:

brawltogethernow:

brawltogethernow:

professorsparklepants:

brawltogethernow:

professorsparklepants:

brawltogethernow:

professorsparklepants:

Role swap au where Zuko was the Avatar who got frozen for a hundred years, so when he’s rescued from the ice instead of a goofy twelve year old Katara catches this mysterious teenager with long hair and a cool scar and a fucking DRAGON

Katara: BOY???? HOT BOY?????? HOT TEENAGE BOY?????????

Zuko: *speaks*

Katara: nevermind I hate him

How does Aang factor into this? I ask because the more I think about it the more I want him to somehow be trying to capture the Avatar.

Aang is 112 years old, decided he was going to be Zuko’s airbending teacher, and refuses to take no for an answer

Aang: Aw, the new Avatar doesn’t want me.
Aang: *gets out a weighted net* Time for Plan B then.

JDJSHJABDBFJSH

Look, you know how you keep a net from falling on you? YOU AIRBEND IT, SUCKA. Air comes right after fire in the cycle so it’s not like the guy has any other options. Do you want a flaming net falling on you? No? Then learn to airbend. Or this tiny old man will cart you away like a trussed turkey and lecture you about the power of laughter, going with the flow, opening your chakras, and other hippie shit.

Sokka, slouching against a fence, not moving: Oh nooooooo, that creepy old man stole the Avataaaaaaaaaar.
Sokka, sitting down on the ground: We should dooooo something.
Sokka, pulling out his lunch: Otherwise he might actually learn something. That would be teeeerrible.
Katara, indignant rage coursing through her body: Sokka!!!!!!!! We have to go look for him!!!!
Sokka: Might! Actually! Learn! Something! Katara!
Katara: *wavers*
Katara, also sitting down: We have to go look for him…. *gets out her own sandwich* But, maybe after lunch.

I love that this transforms Aang’s role in the full Team Avatar familial situation from the baby of the family to the Grandpa with weird hobbies

My brain, immediately after the “Aang won’t take no for an answer” post:

Aang: I’m gonna ride him! *jumps on Zuko’s shoulders*

Actually, I thought a bit more about this: If Aang is “grandpa figure who won’t fucking stop teaching Zuko to be a better and more spiritually fulfilled person,” then what is Iroh doing?

And then it hit me.

Iroh: *sitting in a teahouse at a paisho table*
Iroh, deadpan: I must capture the last airbender. 
Iroh: It is the only way to make sure the powe rof the Avatar won’t be turned on the Fire Nation.
Iroh: Only then will I be redeemed in the eyes of the Fire Lord for my failure at Ba Sing Se.
Iroh: …
Iroh: Anyway, it’s your turn.

About half of the B plots are just Iroh finding new ways to feign incompetence and bad luck so that his political watchdog can’t prove that he’s letting Aang - and by extension Zuko - get away.

@ray10k

Sometimes Iroh plays paisho with Aang, whose entire disguise during these games consists of a painfully fake mustache.

AANG WAS THE OTHER PLAYER IN THAT SCENE OF COURSE IT’S PERFECT (the moustache is just a bit of Appa’s fur tied in a string)

You want drawings, I deliver:

image

‘The prince in the iceberg’

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‘Avatar Zuko’

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‘The Old Master’

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‘Imprisoned’

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‘Zuko’s Master’

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‘The Tale of Iroh’

@wetwareproblem

@ct-hardcase